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Belgium
In the second chapter of A Short History of the Continent, Cal Fraser continues his exploration of European identity through the lens of the body, memory, and power. At the center, an androgynous figure sits exposed and vulnerable, evoking both interrogation and theatre. To the side, a ghostly figure in marked clothing—part uniform, part costume—stands in silence. Together, they create a charged visual dialogue where gender, control, and historical trauma collide. With textured brushwork and theatrical composition, Fraser invites the viewer to confront layered meanings, from colonial legacy to queer embodiment.
Description
In the second chapter of A Short History of the Continent, Cal Fraser continues his exploration of European identity through the lens of the body, memory, and power. At the center, an androgynous figure sits exposed and vulnerable, evoking both interrogation and theatre. To the side, a ghostly figure in marked clothing—part uniform, part costume—stands in silence. Together, they create a charged visual dialogue where gender, control, and historical trauma collide. With textured brushwork and theatrical composition, Fraser invites the viewer to confront layered meanings, from colonial legacy to queer embodiment.
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