No products in the cart.
Bottom-Up
Bottom-Up examines the body as a site where masculine and feminine qualities intermingle. Curved yet hairy, muscular yet soft, the form intentionally blurs coded expectations of gender expression. By tightly cropping the figure, the drawing transforms a traditionally eroticized part of the body into a study of texture, shadow, and ambiguous intimacy.
Rendered in charcoal, the work oscillates between abstraction and realism, inviting viewers to reconsider how the male body is framed in art—often hypersexualized or dismissed as profane. Here, the body becomes vulnerable, contemplative, and fluid. Bottom-Up challenges binary assumptions about identity, gender, and desire, proposing a more expansive and tender way of seeing.
Description
Bottom-Up examines the body as a site where masculine and feminine qualities intermingle. Curved yet hairy, muscular yet soft, the form intentionally blurs coded expectations of gender expression. By tightly cropping the figure, the drawing transforms a traditionally eroticized part of the body into a study of texture, shadow, and ambiguous intimacy.
Rendered in charcoal, the work oscillates between abstraction and realism, inviting viewers to reconsider how the male body is framed in art—often hypersexualized or dismissed as profane. Here, the body becomes vulnerable, contemplative, and fluid. Bottom-Up challenges binary assumptions about identity, gender, and desire, proposing a more expansive and tender way of seeing.
Need more information? Contact us.
