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Bitter
Bitter connects Florida’s citrus industry with histories of settler propaganda, immigrant labour and exclusion. Through a self-portrait carrying oranges above repurposed crates, Sorrel Stone exposes the contradiction between dependence on migrant workers and policies that harm them. The work turns personal and familial experience into a critique of national identity, exploitation and deferred dreams.
Description
Bitter connects Florida’s citrus industry with histories of settler propaganda, immigrant labour and exclusion. Through a self-portrait carrying oranges above repurposed crates, Sorrel Stone exposes the contradiction between dependence on migrant workers and policies that harm them. The work turns personal and familial experience into a critique of national identity, exploitation and deferred dreams.
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