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No es país para ángeles
In No es país para ángeles, Sorrel Stone connects religion, migration, and colonial identity through a ceramic portrait surrounded by parakeets. The work reflects on visits to Ecuadorian consulates, where shared uncertainty and prayers for visas become a more genuine spiritual experience than the exclusion often justified through religion.
Description
In No es país para ángeles, Sorrel Stone connects religion, migration, and colonial identity through a ceramic portrait surrounded by parakeets. The work reflects on visits to Ecuadorian consulates, where shared uncertainty and prayers for visas become a more genuine spiritual experience than the exclusion often justified through religion.
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