We use essential cookies to keep Queer Art running properly. With your permission, we would also like to use functional, analytics, and embedded-content cookies to improve your experience. Read our Cookie Notice .
Cookie preferences
Choose which optional cookies you want to allow. Strictly necessary cookies remain active because they are required for the website to function properly.
Required for core website functionality, security, and basic session handling.
Helps remember your preferences and improves usability across the site.
Helps us understand visitor behaviour so we can improve performance and content.
May be used by third-party players, media widgets, or other embedded services.
No products in the cart.
In No es país para ángeles, Sorrel Stone connects religion, migration, and colonial identity through a ceramic portrait surrounded by parakeets. The work reflects on visits to Ecuadorian consulates, where shared uncertainty and prayers for visas become a more genuine spiritual experience than the exclusion often justified through religion.
