Untitled

Untitled gathers muscular bodies around a dark central figure and a vivid red field. Rendered in oil, the composition moves between confrontation and intimacy: hands meet, forms overlap and the central body appears at once protected and exposed. The restricted palette intensifies the tension between visibility and concealment. Mohr uses the idealised physique not as a stable symbol of strength, but as a site where desire, vulnerability and power continually shift.